The website communicates the centre’s work and highlights the high levels of competence in the organisation. Optimal user experience was prioritised and there are many routes into the content. All content is marked with themes, target audiences and content type, and also related to projects and employees. Clean design and legible typography strengthens usability and the use of crisp, clean colour represents a modern organisation with wide-ranging appeal.

See more at www.iktsenteret.no. Developed by Ramsalt.

Our client said: “Thank you so much for a great stand. Everyone at Cappelen Damm, not to mention many others at the exhibition, thought the stand design was very, very good. Choosing to focus on one message was also an excellent decision which worked very well.”

Our client said: “Our brochure about collaboration between home and kindergarten has been laid out beautifully and complements the content effectively: use of colour, children’s drawings and images indicate that this report is about children, yet it has been put together in an organised and inviting way”.

Tank was responsible for the design of the exhibition. See the exhibition at the National Library (Nasjonalbiblioteket), online and as a travelling poster exhibition at libraries across the country, from Nobember 9th 2011 until January 28th 2012.

Tank has worked on concepts, design and illustration since December and the report has just been published. We are proud of the result – a colourful report full of data visualisations and facts about Norwegian schools. All presented in an inviting and easy-to-read way.

We prepared a clean template which enabled us to present large amounts of information whilst also retaining an overall sense of dynamism. The 348-page report is packed with tables, maps and graphical visualisations which represent the underlying messages in the lengthy text. The identity’s colour palette was put to use to give each chapter its own identity, and conscious typographic choices both reinforce the identity and make the report inviting and easy to read.

Tank developed the visual identity and the majority of conference materials. The identity symbolises trees and forests, and also network-building and diversity.

Tank designed the exhibition, drawing inspiration from El Lissitzky (the avant-garde Russian artist) who is in many ways the godfather of our profession. The final design consists of a strict colour palette and simple graphic shapes in dynamic compositions.

The colour palette and supporting graphic elements have been applied from the new visual identity to create a modern, clean and professional look. Built on a solid logical structure, the website is a semantic solution which uses themes to link together content across the whole site. This user-focused approach makes it easy to discover relevant and related content like news articles, documents and employees. Gateway pages for key target audiences are also being developed. The website was developed in collaboration with NHO and Fox Data. See more at abelia.no.

We based the logotype on a logical rhythm derived from simple geometric shapes. The colour palette signifies modernity and technology through consistent use of blue, signal yellow and grey. We re-used lines and circles from the logotype as supporting graphic elements, strengthening the idea of using individual elements to construct a whole.

The result is a simple and clear visual identity which reflects Abelia’s sobriety and professional competence.

Imagery constitutes a large part of the report, visualising what Morpol do yet also giving the reader a snapshot of a working day at Morpol. We used uncoated paper and black and white imagery to soften the overall masculine and business-like look of the report.

The solution extends and simplifies the elements that were the mainstay of the identity, but with more emphasis on the brand name and the cold freshness. The arctic purity, the clear and fresh water it is made of, and the brewery being the worlds northernmost, is the very base of the concept.

The conference was named Kaleido, a word which implies change, curiosity and diverse solutions. The visual framework was based on a playful approach which consisted of colourful basic shapes arranged in different compositions. The child-like look was balanced by crisp, modern typography to communicate the serious aspect of the conference.

Tank was responsible for the decor, scenography, animated title sequences, advertising, website and many other elements in the promotion of the conference. The result was a thoroughly fresh and inspiring look across all media.